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Abz is after all about, and made possible by, machine translation, and the primary text of the play is only ever presented as input and output for Googles translational system, initially with English and Finnish, the directors two compositional languages, and then, in the performance I watched at Barnard in 2015, interspersed with German, Spanish, and Mandarin. 1 The machine speaks: Technology error estimates. Comedy ensues.

Each performance and each translation, with all technological, linguistic, and human errors preserved, was recursively folded back on the last, the archive expanding to encompass all manner of glitch, from an actors stutter to statistical failure, and the series eventually culminating in what Huopaniemi here terms a spectacularly Babelian finale.